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• An idol for others
  Biographer Joseph M. Ortiz claims that Gordon Merrick (1916-1988) “was the most commercially successful writer of gay novels in the twentieth century”. After a moderately successful career as a literary post-war novelist in the 1940s and 1950s, published by important trade presses, it was as the author of paperback gay romance novels, with sex featuring heavily, that Merrick gained success. This novel focusses on theatre producer Walter Makin, an apparently happily married father, who also has gay relationships. The back cover of this paperback outlines the roles played by each of the characters and makes clear that incest is a feature of this novel (Jerry, one of Walter’s lovers, is also his illegitimate son). One reviewer described the novel’s unhappy ending as a return to the 1950s, when gay characters were rarely shown living fulfilled lives.
• Forth into light
  Impossibly handsome lovers Peter Martin and Charlie Mills continue to work out their complicated romance. Peter, Charlie and sometime heterosexual love interest Martha – the Mills-Martins – are long-established in comfortable family life, complete with children (named Charlotte and Peter after their respective fathers), but newcomer Jeff still creates tension. This is the concluding part of the bestselling erotic trilogy by Gordon Merrick (1916-1988), following ‘The Lord Won’t Mind’ (1970) and ‘One for the Gods’ (1971), which were also seized in the ‘Operation Tiger’ raids. It is set on an island in the Aegean in the 1950s. Merrick himself had moved to the island of Hydra in 1960.
• Now let's talk about music
  Riding high on his wildly popular Peter and Charlie trilogy (also seized by Customs), Gordon Merrick (1916-1988) continued to publish paperback romances with Avon into the 1980s. ‘Now Let’s Talk About Music’ gave Merrick’s fans more of what they wanted – exotic locations (Thailand, a yacht off the coast of Sri Lanka), rich, beautiful gay men, steamy sex scenes and page-turning drama. “Another winner from the gay Harold Robbins” proclaimed a reviewer for ‘Gay News’ in December 1982. As with several other Merrick titles published by Avon, the cover art is by Victor Gadino, a noted illustrator of romance and erotica.
• Perfect freedom
  This is another of Gordon Merrick’s (1916-1988) romance and sex novels published in paperback by Avon, with Victor Gadino illustrated covers. Avon was the paperback division of the Hearst Corporation, and ‘Gay Times’ claimed that publishing these novels was Avon's attempt to “cash in on the post-Stonewall gay market”. Based on one of his earlier novels, ‘Demon of Noon’ (1954) – an at-times-coded gay novel which is less explicit than his later work – this story is set in 1938 on a cruise in the Greek Islands and features Robbie’s sexual awakening with multiple partners. Some of the men he meets during his journey are listed and briefly described before the novel’s title page, including an “Italian deckhand”, a “Greek Adonis”, and a “brooding biker”. The title of the novel is a quote from E.M. Forster’s ‘The Longest Journey’.
• The Lord won't mind
  This is the opening book in a gay romance trilogy by Gordon Merrick (1916-1988), first published in 1970. Young, handsome and improbably well-endowed Charlie Mills is introduced to the equally attractive Peter Martin in late 1930s New Jersey. It is love – and lust – at first sight. Advertised in ‘The New York Times’ as “the first homosexual novel with a happy ending”, the book spent sixteen weeks in the ‘Times’ top ten, becoming a bestseller that secured Merrick’s fortunes. Criticised for its misogyny and as “corny, oddly dated and saccharine” by a discerning reviewer for ‘Gay NYC’, it nonetheless became a guilty pleasure for generations of gay men.
• The quirk
  As with other Gordon Merrick (1916-1988) novels published by Avon Books, the cover of ‘The Quirk’ is the work of artist Victor Gadino. The style of these Avon paperbacks alludes to the romances published by Mills and Boon in the UK (or Harlequin in the USA), but in this case, they are aimed at gay readers. Gadino used male models as the basis of his illustrations which, unusually for the time, depict the men together and looking at each other rather than separate and isolated. In this instance, the full illustration wraps around the front and back covers. This novel centres on Rod, a bisexual artist in 1960s Paris who has relationships with men and a woman during the novel.